Modernist Magazines
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  • Introduction
  • Bibliography
  • New York
    • 291
    • 391 (nos. 5-7)
    • The Blindman
    • Broom
    • The Little Review (New York and Paris)
    • New York Dada
    • Others
    • The Ridgefield Gazook
    • Rongwrong
    • Secession
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  • IMAGE CREDITS
    banner: detail from 'Mechanischer Kopf' (Der Geist unserer Zeit), 1918 [Collection Centre Georges Pompidou, Paris]
    cover: 1924/25 [Beinecke Library]

the little review

  • cover The Little ReviewThe Little Review was launched in March 1914. The first issue featured praise of Nietzsche, feminism, and psychoanalysis, along with new works by the Chicago poets Arthur Davidson Ficke and Eunice Tietjens. For the next two years Margaret Anderson published works by Imagist poets and also featured the political writings of - among others - Emma Goldman.
  • In 1916 Jane Heap (1887-1964) joined the staff of The Little Review. After her arrival the magazine began using modern typographical designs and publishing reproductions of contemporary artists' works.
    In 1917 Anderson and Heap moved The Little Review to New York. During the next few years the magazine increased its commitment to literary experiment, featuring the works of T.S. Eliot, Dorothy Richardson and James Joyce. Ezra Pound acted as the magazine's foreign editor from 1917 to 1919. In that capacity he encouraged many British and European writers to submit their works to Anderson and Heap for publication in The Little Review. By 1921, as funds grew increasingly sparse, the magazine began publishing quarterly. Issues, appeared sporadically until 1926, when publications was suspended. In 1929, one final issue was published, in Paris.
  • DESCRIPTION
    • Subtitle A Quarterly Journal of Arts and Letters.
    • 1 (1914) - 12, N° 2 (May 1929).
    • Edited by Margaret Anderson and Jane Heap. Published by Margaret Anderson, Chicago; later New York and Paris
    • Special Numbers:
      • vol. 8, N° 2 (Spring 1922) Picabia Number
    • Monthly; irregular (since 1921)
    • varying formats
    • N.B. Only the numbers 1920-1924 are important for the history of Dada Paris.
    • Bibliograpgic references:
      1. Little Magazines and Modernism.
  • FACSIMILES/REPRINTS
  • printed
    • Reprinted by Kraus Reprint (New York 1967).
    • Margaret Anderson (ed.), The Little Review Anthology (Horizon Press : New York 1953, repr. 1970).
    • [anthology] Gardening with Brains. Eine Anthologie New Yorker Avantgarde-Zeitschriften der 1910-1920er Jahre : The Little Review, Camera Work, The Soil ... / Katja Gödde, Stephan Hoffmann, Robert Lößl ... Berliner Beiträge zur Amerikanistik, Band 5 (John-F.-Kennedy-Institut : Berlin 1996) 10-202 [Contents].
  • SECONDARY LITERATURE
  • Elizabeth Francis, 'A battle with "reality" : Margaret Anderson and the cultural politics of self-expression', in Elizabeth Francis, The secret treachery of words. Feminism and modernism in America (University of Minnesota Press : Minneapolis 2002) 39-75.
  • Melvin J. Friedman (ed.), Pound/The Little Review. The Letters of Ezra Pound to Margaret Anderson : The Little Review Correspondence / by Ezra Pound, Thomas L. Scott. Correspondence of Ezra Pound (New Directions Publishing Corporation : New York 1989).
  • Abby Ann Arthur Johnson, 'The personal magazine. Margaret C. Anderson and the Little Review, 1914-1929', in South Atlantic Quarterly 75, no. 3 (Summer 1976) 351-363.
  • Jayne E. Marek, 'Reader critics. Margaret Anderson, Jane Heap, and the Little Review', in Jayne E. Marek, Women editing modernism. "Little" magazines & literary history (University Press of Kentucky : Lexington 1995) 60-100.
  • Susan Noyes Platt, 'The Little review. Early years and avant-garde ideas', in Sue Ann Prince (ed.), The Old guard and the avant-garde. Modernism in Chicago, 1910-1940 (University of Chicago Press : Chicago 1990) 139-154, 256-258.
  • Dickran Tashjian, 'Dada in Amerika. Sein Verhältnis zu The Little Review', in Wolfgang Paulsen und Helmut G. Hermann (Hrsg.), Sinn aus Unsinn. Dada International [Zwölftes Amherster Kolloquium zur Deutschen Literatur] (Francke : Bern 1982).
  • Dickran Tashjian, 'From anarchy to group force. The social text of The Little Review', in Naomi Sawelson-Gorse (ed.), Women in Dada. Essays on sex, gender, and identity MIT Press : Cambridge MA 1998) 262-291.
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  • Margaret Anderson
  • Famous for her strong opinions about art as well as for her beauty and wit, radical editor Margaret Anderson was a key figure in American and European Modernism. Between 1914 and 1929, Anderson's pioneering art and literature magazine, the Little Review, published poetry, criticism, and artwork by many of the most significant writers and artists of the 20th century, including William Butler Yeats, Ezra Pound, Gertrude Stein, Pablo Picasso, Hart Crane, Man Ray, Mina Loy, Wyndham Lewis, T.S. Eliot, Sherwood Anderson, and Francis Picabia. James Joyce's Ulysses appeared serially in the Little Review before it was published in its entirety in 1922; the Little Review and its editor became the subjects of a widely publicized obscenity trial when the United States Post Office deemed some segments of the work obscene and refused to distribute copies.
  • TEXT CREDITS
    More information in 'Beinecke Library exhibit focuses on the Little Review, a magazine that refused to cater to public taste, and its editor', in Yale Bulletin & Calendar 35, no. 7 (October 20, 2006).
  • IMAGE CREDITS
    portrait Margaret Anderson by Man Ray.
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  • ARCHIVES
    The Archive of Margaret Anderson is housed at the Beinecke Rare Book and Manuscript Library, Yale University in the Elizabeth Jenks Clark Collection of Margaret Anderson Papers; Finding Aid compiled by Molly Wheeler (February 2008).
  • See also the Florence Reynolds Collection related to Jane Heap and The Little Review at the Special Collections Department, University of Delaware. The Finding Aid is compiled by Anita A. Wellner (1991-1992).
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  • INFORMATION
    Margaret Anderson and The Little Review.