sound poetry

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• COLLECTED WORKS

• ONLINE
• Arte Sonore / editor/director José Antonio Sarmiento.
• Hugo Ball [Biblioteca Augustana].
• Hugo Ball Gedichte [Zeno.org Mein Bibliothek].

• PRINTED
• 'The complete sound-poems of Hugo Ball', in Jerome Rothenberg and Pierre Joris (eds.), Poems for the millennium. The University of California book of modern & postmodern poetry. Vol. 1 (University of California Press : Berkeley 1995) 294-297.

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• SOUND POEMS 1916

• 'Wolken', first published in De Stijl Nr. 85/86 (Leiden 1928).

• 'Katzen und Pfauen', first published in De Stijl Nr. 85/86 (Leiden 1928).

• 'Totenklage', first published in De Stijl Nr. 85/86 (Leiden 1928).

• 'Gadji beri bimba', first published in De Stijl Nr. 85/86 (Leiden 1928).

• 'Karawane', first published in Dada-Almanach / herausgegeben von Richard Huelsenbeck (Erich Reiss Verlag : Berlin 1920).

• 'Seepferdchen und Flugfische', first published in Poésie de mots inconnus / éd. par Iliazd [=Ilia Zdanévitch] (Iliazd : Paris 1949).

• RECORDINGS
• Six Sound Poems by Hugo Ball
  BABA OEMF
  Kontrans 844
  Jaap Blonk (voice), Bart van der Putten (alto saxophone), Pieter Meurs (double bass)
  Recorded live at the Bimhuis, Amsterdam, May 11, 1989.
  • Contents:
    1. Wolken (Clouds) 7:42
    2. Katzen und Pfauen (Cats and Peacocks) 5:01
    3. Karawane (Caravan) 6:01
    4. Gadji beri bimba 6:19
    5. Totenklage (Dirge) 14:07
    6. Seepferdchen und flugfische (Seahorses and Flying Fish) 10:32
• FUTURA Poesia Sonora
  ed. by Arrigo Lora-Totino
  Cramps Records, Milan
  5 CDs, CRSCD 091-095, 1989
  Performed by Trio Exvoco: Hanna Aurbacher, Teophil Maier, Ewald Liska, 1978.
  • A CD release of an extensive sound poetry anthology orginally produced on five LPs in 1978. You can listen to the 6 poems on this CD on the site of UbuWeb.

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• SECONDARY LITERATURE

• DISSERTATIONS/THESES
• Susan Babilon
  Hugo Ball and the Development of Sound Poetry (City University of New York : New York 1999).
• Jana Groh
  Dadaismus : Hugo Ball - Lautgedicht und Sprachmagie (Grin Verlag : 2008).

• MONOGRAPHS
• Christian Scholz
  Untersuchungen zur Geschichte und Typologie der Lautpoesie (Obermichelbach 1989). Part 3, Discography [online]; available at <http://www.engeler.de/lautpoesiediskographie.pdf> [accessed 20 June 2011].
  

• ARTICLES, ESSAYS and PAPERS
• Hubert van den Berg
  'Gustav Landauer und Hugo Ball. Anarchismus, Sprachkritik und die Genese des Lautgedichts', in Hugo-Ball-Almanach 19 (1995) 121-181.
• Reinhard Döhl
  'Akustische Poesie / Ein Exkurs' [online] (2007); available at <http://www.netzliteratur.net/experiment/akustpoe.htm> [accessed 20 June 2011].
  
• Hal Foster
  'Dada Mime', in October 105 (Summer 2003) 166-176 [Stable URL: www.jstor.org/stable/3397692.
  
• John Scanlan
  'Words and Worlds: Dada and the Destruction of Logos, Zurich 1916', in tout-fait. The Marcel Duchamp Studies Online Journal Issue 5 (2003) [online]; available at <http://www.toutfait.com/issues/volume2/issue_5/articles/scanlan/scanlan2.html> [accessed 20 June 2011].
  
• Christian Scholz
  'Relations between sound poetry and visual poetry. The path from the optophonetic poem to the multimedia text', in Visible Language 35 (2001) No. 1 [online DADA article archive].
  • [abstract] A brief history of the development of scores for sound poetry during the twentieth century is presented. The work of Hugo Ball, Raoul Hausmann and Kurt Schwitters is the focus for the early part of the century. From mid-century to end, the work of Franz Mon, Carlfriedrich Claus and Valeri Scherstjanoi is the focus.
• Stephen Scobie
  'Gadji beri bimba. Abstraction in poetry', in Canadian literature no. 97 (summer 1983) 75-92; also in Stephen Scobie, Earthquakes and explorations. Language and painting from cubism to concrete poetry (University of Toronto Press : Toronto 1997) 153-168.
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